{"id":167887,"date":"2023-09-19T12:28:00","date_gmt":"2023-09-19T12:28:00","guid":{"rendered":"https:\/\/socancom100stg.wpenginepowered.com\/peter-chapman-nomme-cinq-fois-aux-canadian-screen-music-awards-2023\/"},"modified":"2023-09-19T12:28:00","modified_gmt":"2023-09-19T12:28:00","slug":"peter-chapman-nomme-cinq-fois-aux-canadian-screen-music-awards-2023","status":"publish","type":"post","link":"https:\/\/uat.socan.com\/fr\/peter-chapman-nomme-cinq-fois-aux-canadian-screen-music-awards-2023\/","title":{"rendered":"Peter Chapman nomm\u00e9 cinq fois aux Canadian Screen Music Awards 2023"},"content":{"rendered":"<p>Le compositeur \u00e0 l\u2019image Peter Chapman a obtenu cinq nominations, tandis que ses coll\u00e8gues #Compositeurs\u00c0L\u2019affiche de la SOCAN Steph Copeland, Spencer Creaghan et le duo Brian et Caleb Chan en ont obtenu trois chacun dans le cadre de la deuxi\u00e8me \u00e9dition annuelle des Canadian Screen Music Awards (CASMA) pr\u00e9sent\u00e9s par la Guilde des compositeurs canadiens de musique \u00e0 l\u2019image (SCGC). Ces prix r\u00e9compensent les compositeurs pour leur travail exceptionnel dans le domaine des m\u00e9dias et des industries de l\u2019image et il s\u2019agit du premier prix en son genre \u00e0 \u00eatre d\u00e9cern\u00e9 par des coll\u00e8gues compositeurs au Canada.<\/p>\n<p>Pour l\u2019\u00e9dition\u00a02023 de l\u2019\u00e9v\u00e9nement, un total de 52\u00a0\u0153uvres musicales ont re\u00e7u des nominations dans 11\u00a0cat\u00e9gories incluant les longs m\u00e9trages, la t\u00e9l\u00e9vision, l\u2019animation, le documentaire, les jeux et les m\u00e9dias interactifs. Les nomm\u00e9s ont \u00e9t\u00e9 s\u00e9lectionn\u00e9s par l\u2019\u00e9quipe des jurys de la SCGC et les gagnants seront annonc\u00e9s en direct lors du gala\u00a02023 le jeudi\u00a026\u00a0octobre 2023 au El Mocambo, dans le centre-ville de Toronto.<\/p>\n<p>Les cr\u00e9ateurs de musique en lice sont\u00a0:<\/p>\n<p><strong>Meilleur indicatif musical original (commandit\u00e9 par la SOCAN)<\/strong><\/p>\n<ul>\n<li>Andrew Lockington \u2013 <em>Mayor Of Kingstown<\/em><\/li>\n<li>Brian Chan &amp; Caleb Chan \u2013 <em>Builder Brothers Dream Factory<\/em><\/li>\n<li>Brian Kobayakawa \u2013 <em>Jackals &amp; Fireflies<\/em><\/li>\n<li>Justin Delorme \u2013 <em>Diaspora<\/em><\/li>\n<li>Layal Watfeh \u2013 <em>Under Guardianship \u2013 Taht Al Wisaya<\/em><\/li>\n<\/ul>\n<p><strong>Meilleure chanson originale (commandit\u00e9 par \u00c9diteurs de musique au Canada)<\/strong><\/p>\n<ul>\n<li>Alexandra Petkovski &amp; Kris Kovacs \u2013 \u00ab Deathloop\u00a0: D\u00e9ja Vu Remix \u00bb<\/li>\n<li>Craig McConnell \u2013 \u00ab\u00a0The Bullet or The Blade\u00a0\u00bb<\/li>\n<li>Jesse Zubot, Wayne Lavallee &amp; Marie Clements \u2013 \u00ab\u00a0You Are My Bones\u00a0\u00bb<\/li>\n<li>Spencer Creaghan &amp; Milen Petzelt Sorace \u2013 \u00ab\u00a0My Little Pony Make Your Mark\u00a0\u00bb<\/li>\n<li>Stephen Krecklo &amp; Ashley Jane \u2013 \u00ab\u00a0How Lucky Am I?\u00a0\u00bb<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><strong>Meilleure musique originale, s\u00e9rie ou \u00e9mission sp\u00e9ciale d\u2019animation<\/strong><\/p>\n<ul>\n<li>Caleb Chan &amp; Brian Chan \u2013 <em>Pinecone and Pony: The Sturdy Stone<\/em><\/li>\n<li>Erica Procunier \u2013 <em>The Mystery of Lookout Mountain (Thomas &amp; Friends: All Engines Go)<\/em><\/li>\n<li>Neil Parfitt \u2013 <em>Super Wish: The Legend of Cake-Bun Bottom<\/em><\/li>\n<li>Peter Chapman \u2013 <em>Happy House of Frightenstein: Lucky Spell<\/em><\/li>\n<li>Spencer Creaghan &amp; Neil Parfitt \u2013 <em>Matchbox Adventures: Season\u00a03<\/em><\/li>\n<\/ul>\n<p><strong>Meilleure musique originale, s\u00e9rie ou \u00e9mission sp\u00e9ciale d\u2019humour<\/strong><\/p>\n<ul>\n<li>John Rowley \u2013 <em>Pretty Hard Cases: Always A Bridesmaid<\/em><\/li>\n<li>Peter Chapman \u2013 <em>The Lake: Midsommar Madness<\/em><\/li>\n<li>Peter Chapman &amp; Maylee Todd \u2013 <em>Workin\u2019 Moms: The End<\/em><\/li>\n<\/ul>\n<p><strong>Meilleure musique originale pour un documentaire, un reportage, une s\u00e9rie de t\u00e9l\u00e9r\u00e9alit\u00e9 ou une \u00e9mission sp\u00e9ciale<\/strong><\/p>\n<ul>\n<li>Andrew Gordon Macpherson <em>\u2013 Tales From The Territories: Andy Kaufman vs. The King of Memphis<\/em><\/li>\n<li>Ben\u00a0Fox \u2013 <em>The Climate Baby Dilemma<\/em><\/li>\n<li>Justin Delorme \u2013 <em>The Nature of Things: Grizzly Rewild<\/em><\/li>\n<li>Peter Chapman \u2013 <em>Cross Country Cake Off: Holiday Finale<\/em><\/li>\n<li>Peter Chapman \u2013 <em>Mary Makes it Easy: Overnight Guests<\/em><\/li>\n<\/ul>\n<p><strong>Meilleure musique originale pour un long m\u00e9trage documentaire<\/strong><\/p>\n<ul>\n<li>Agatha Kasper \u2013 <em>The Long Weekend<\/em><\/li>\n<li>Ben Fox \u2013 <em>Cynara<\/em><\/li>\n<li>Jonathan Kawchuk \u2013 <em>True Survivors<\/em><\/li>\n<li>Mark Dolmont \u2013 <em>Satan Wants You<\/em><\/li>\n<li>St\u00e9phanie Hamelin Tomala \u2013 <em>J\u2019ai plac\u00e9 ma m\u00e8re (I Lost My Mom)<\/em><\/li>\n<\/ul>\n<p><strong>Meilleure musique originale, s\u00e9rie ou \u00e9mission sp\u00e9ciale dramatique (commandit\u00e9 par DGC National)<\/strong><\/p>\n<ul>\n<li>Ari Posner, Amin Bhatia &amp; Joel Schwartz \u2013 <em>Ride: Speak Now or Forever Hold Your Peace<\/em><\/li>\n<li>Caleb Chan &amp; Brian Chan \u2013 <em>Panhandle: Machetes Out<\/em><\/li>\n<li>Jeff Danna \u2013 <em>Guillermo Del Toro\u2019s Cabinet of Curiosities: Graveyard Rats<\/em><\/li>\n<li>Lora Bidner and Rob Carli \u2013 <em>Ruby and the Well: I Wish The Well Would Let Us Be Forever<\/em><\/li>\n<li>Spencer Creaghan \u2013 <em>Slasher: Ripper \u2013 The Slaughterhouse<\/em><\/li>\n<\/ul>\n<p><strong>Meilleure musique originale pour jeux et m\u00e9dias interactifs<\/strong><\/p>\n<ul>\n<li>Andrea Wettstein &amp; Alec Harrison \u2013 <em>Windborne\u00a0: Call of the Canadian Rockies<\/em><\/li>\n<li>Blake Matthews \u2013 <em>Tiny Colony<\/em><\/li>\n<li>Janal Bechthold \u2013 <em>Loki\u2019s Castle<\/em><\/li>\n<li>Jim Guthrie \u2013 <em>Nobody Saves The World<\/em><\/li>\n<\/ul>\n<p><strong>Meilleure musique originale pour un long m\u00e9trage narratif (commandit\u00e9 par Orchestral Tools)<\/strong><\/p>\n<ul>\n<li>Michelle Osis \u2013 <em>Fixation<\/em><\/li>\n<li>Steph Copeland \u2013 <em>Laced<\/em><\/li>\n<li>Steph Copeland \u2013 <em>Outpost<\/em><\/li>\n<li>Todor Kobakov \u2013 <em>Brother<\/em><\/li>\n<li>Tom Third \u2013 <em>The Young Arsonists<\/em><\/li>\n<\/ul>\n<p><strong>Meilleure musique originale pour un court m\u00e9trage (commandit\u00e9 par Cinesamples)<\/strong><\/p>\n<ul>\n<li>Amin Bhatia \u2013 <em>Jane Goodall\u2019s Reasons for Hope<\/em><\/li>\n<li>Blake Matthew \u2013 <em>Nahuales<\/em><\/li>\n<li>Daniela Pinto \u2013 <em>Diaspora<\/em><\/li>\n<li>Noora Nakhaei \u2013 <em>Printemps<\/em><\/li>\n<li>Suad Bushnaq \u2013 <em>Corvine<\/em><\/li>\n<\/ul>\n<p><strong>Meilleure musique originale pour une \u00e9mission sp\u00e9ciale de t\u00e9l\u00e9vision<\/strong><\/p>\n<ul>\n<li>Adrian Ellis \u2013 <em>Love in Wolf Creek<\/em><\/li>\n<li>Kristjan Bergey \u2013 <em>Swindler Seduction<\/em><\/li>\n<li>Medhat Hanbali \u2013 <em>Queen Rising<\/em><\/li>\n<li>Sean Nimmons-Paterson &amp; Stephen Krecklo \u2013 <em>Hotel for the Holidays<\/em><\/li>\n<li>Steph Copeland \u2013 <em>Designing Christmas<\/em><\/li>\n<\/ul>\n<p>La SOCAN f\u00e9licite tous les finalistes pour cet honneur !<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Steph Copeland, Spencer Creaghan, Brian &#038; Caleb Chan re\u00e7oivent tous trois nominations<\/p>\n","protected":false},"author":0,"featured_media":130063,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1300],"tags":[1312,1341],"class_list":["post-167887","post","type-post","status-publish","format-standard","has-post-thumbnail","category-prix-et-reconnaissances","tag-compositeur-av","tag-gala"],"acf":[],"_links":{"self":[{"href":"https:\/\/uat.socan.com\/fr\/wp-json\/wp\/v2\/posts\/167887","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/uat.socan.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/uat.socan.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/uat.socan.com\/fr\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/uat.socan.com\/fr\/wp-json\/wp\/v2\/comments?post=167887"}],"version-history":[{"count":0,"href":"https:\/\/uat.socan.com\/fr\/wp-json\/wp\/v2\/posts\/167887\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/uat.socan.com\/fr\/wp-json\/wp\/v2\/media\/130063"}],"wp:attachment":[{"href":"https:\/\/uat.socan.com\/fr\/wp-json\/wp\/v2\/media?parent=167887"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/uat.socan.com\/fr\/wp-json\/wp\/v2\/categories?post=167887"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/uat.socan.com\/fr\/wp-json\/wp\/v2\/tags?post=167887"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}